Enter the Dragon

This review has been printed in the March 2016 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here.  My thanks to the good folks at Chess Life for allowing me to do so.

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Jones, Gawain. Grandmaster Repertoire: The Dragon, Volume 1. Glasgow: Quality Chess, 2015. ISBN 978-1784830076. PB 320pp. List $29.95, currently $24ish at Amazon.

Jones, Gawain. Grandmaster Repertoire: The Dragon, Volume 2. Glasgow: Quality Chess, 2015. ISBN 978-1784830090. PB 320pp. List $29.95, currently $24ish at Amazon.

Children love playing it. It appears as a plot point in the soapiest of Spanish telenovelas period dramas. The Chinese have even gone so far as to try to make it their own.

It’s gotta be the name, right?

Bobby Fischer famously claimed that he’d worked its defeat out to a science (“…pry open the h-file, sac, sac … mate!”) but the theory and practice of the Sicilian Dragon have come a long way in recent years. Not only are there new sub-variations to try – the Chinese Dragon, the Topalov Variation, the Dragadorf – but the traditional main lines have undergone extensive analysis and empirical testing. How can the Dragoneer hope to keep up?

Older one-volume introductions by Chris Ward and Mikhail Golubev are now dated. David Vigorito’s Chess Developments: The Sicilian Dragon (2011) is fairly current, but it does not cover every line. For a complete, cutting-edge repertoire, Dragon players should consider the new Grandmaster Repertoire: The Dragon 1 and 2 by Gawain Jones.

In theory few are better suited to cover this opening than Jones, a lifelong Dragon enthusiast with a rating in the mid-2600s. Of course Elo and experience are no guarantee of authorial talent, but after wrestling with the books for a few weeks now, I’m glad to report that Jones was up to the task.

The most critical lines in the Dragon emerge from this position:

image

White’s three main tries here are 9.Bc4, 9.g4 and 9.0-0-0. Jones treats the first two in Volume 1, and the third in Volume 2. He recommends 9…Be6 against 9.g4, and more than half of Volume 2 is devoted to sidelines. The bulk of the work focuses on 9.Bc4 and 9.0-0-0.

Against 9.Bc4, the traditional main line, Jones has two recommendations. His primary repertoire choice is the Topalov Variation (9.Bc4 Bd7 10.0-0-0 Rc8 11.Bb3 Nxd4 12.Bxd4 b5), and I take it as a good sign that Jones has continued to play the line post-publication. White can dodge the Topalov with 10.h4, leading Jones to also include coverage of the Soltis (10.h4 h5 11.0-0-0 Rc8 12.Bb3 Ne5) and Burnett (12.Kb1 Nc4 13.Bxc4 Rxc4 14.g4 b5 15.b3 b4!) Variations. Readers are thus presented with two options against the Yugoslav.

9.0-0-0 is perhaps the more critical variation in modern practice, and just under half of Volume 2 is devoted to it. After 9.0–0–0 d5 Jones analyzes 10.exd5 Nxd5 11.Nxc6 bxc6 12.Bd4 (the current main line of the Dragon; if 12.Nxd5 Jones recommends 12…cxd5 13.Qxd5 Qc7) 12…Bxd4 13.Qxd4 Qb6 14.Na4 when two repertoire choices are offered: the slightly offbeat 14…Qa5 15.b3 Be6!? and 14…Qc7. After 10.Kb1 Black should play 10… Nxd4 11.e5! Nf5 12.exf6 exf6!, and in case of 10.Qe1, Jones plumps for 10… e5 11.Nxc6 bxc6 12.exd5 Nxd5.

[Here is a summary of these lines in replayable format.]

The repertoire presented in the two volumes of The Dragon resembles that of Peter Heine Nielsen on his recent two DVD set for ChessBase (The Sicilian Dragon for the Tournament Player), although they are not identical. Nielsen’s videos are very good in terms of explanation, but they cannot begin to match the density of information presented in Jones’ books.

And make no mistake – these are dense books. The analysis is comprehensive almost to the point of pedantry, as is typical for Quality Chess titles. Given the nature of the opening in question, such obsessive detail is perhaps warranted.

Some bones are thrown to those of us unburdened with photographic memories. There is a useful twenty page section on typical Dragon themes in Volume 1, and Jones is careful to point out standard motifs as they arise in his analysis. His notes are surprisingly verbose given how much ground he has to cover.

The two volumes of Grandmaster Repertoire: The Dragon provide a thorough and tested repertoire for the hardcore Dragoneer. You don’t need to be a Grandmaster to read them, but stronger players will surely derive more benefit from the sophisticated analysis. Players new to the Dragon might want to start with Nielsen’s DVDs.

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2 thoughts on “Enter the Dragon

  1. Richard Robinson

    I have greatly enjoyed Volume One so far. I am using this as my primary guidebook for learning the Dragon as Black and I think it will be a very good choice for this purpose.
    However, I have to hope there is a second edition which corrects a rather large and pervasive mistake through several sections of the book.
    The Topalov variation in chapters 7, 8, and 9 consists of the reply 10. 0-0-0 Rc8 and not 10. 0-0-0 Nxd4. In the Chapter headings as well as in the Variations Index the important move sequence 10. … Rc8 11. Bb3 is simply forgotten, ignored in the move listings. The diagrams indicate that the moves have been played but you will not see it in the moves. So, after move 10. 0-0-0 all the move numbers no longer correspond to the recommended move order.

    Yes, even the mildly attentive reader will soon enough notice this and make the mental correction, but for a book that has seemed of very high quality in other aspects this is simply an egregious and widespread error.

    Has no one else noticed this?

    Reply

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