Category Archives: Game Collections

Get off my lawn!

This review has been printed in the March 2018 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. Minor differences may exist between this and the printed version. My thanks to the good folks at Chess Life for allowing me to do so.

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Timman, Jan. Timman’s Titans: My World Chess Champions. Alkmaar: New in Chess, 2016. PB 320pp. ISBN 978-9056916725.

Once a haven for the geeks and oddballs among us, chess has taken on a new and more positive valence in the modern social imaginary. Chess is marketed to parents as a propaedeutic to academic achievement for their children, and as a source of important non-cognitive skills like ‘grit.’ The current US Chess mission statement – “empowering people through chess one move at a time” – highlights the benefits of playing more than it does the game itself.

Today’s leading players also bear the signs of this shift. Top tournaments are broadcast live across the world via YouTube and Twitch, and the competitors explain their wins and losses with sage-like equanimity, their sponsorship deals prominently featured on their blazers. ‘Lesser’ Grandmasters and Masters are riding the e-sport wave towards exclusive streaming deals and video series. Scholastic chess has become a growth industry: coaches and camps proliferate, and it seems like half the players at big tournaments are juniors.

Surely this newfound respectability is beneficial for American chess. But is it an unalloyed good? Is nothing lost when the chess world is transformed into a wholesome, family-friendly environment?

I think back to my first steps in the chess world, back to evenings at the public library in Merrick, NY, where I was the only person in the room under 40, and where I lost game after game to old Russian men who regaled me with wonderful, unprintable jokes. It was a space where the teenaged me wasn’t quite supposed to be, but I was there anyway, and I was learning to fit in.

You might think about your experiences at large tournaments like the US Open. The reputable players play their games, go back to their rooms, and get ready for the next round on their computers. Gone are the days of all-night blitz benders in the skittles room. Gone are the days of the pub crawl and the hangovers destroying the next day’s play. Worst of all, the postmortem is a relic, an antiquity, offered only by the aged and accepted even less frequently. Those that do occur are haunted by a third party – the ubiquitous Stockfish app, lurking, correcting, standing as the ultimate authority.

(Is this the part where I tell the kids to get off my lawn?)

Jan Timman’s newest book, Timman’s Titans: My World Chess Champions, is many things at once: a set of sketches of ten world champions, a study of their styles and games, a catalogue of Timman’s own dreams and memories. At its heart, however, I think Timman’s Titans is an elegy for what has been lost, for better and for worse, in modern chess, and a deeply personal remembrance of a world that no longer exists. As with most elegies, and here I follow Coleridge, it reveals equally the greatness of its subjects and its author. This is Timman’s best book to date.

Timman’s Titans consists of (a) personal remembrances of each of the world champions from Alekhine through Kasparov, (b) a discussion of their games and careers, and (c) highlights of Timman’s own games against the champion in question. The analysis is insightful and extremely well done, but the real reason to buy this book is for Timman’s memories and memorials.

Timman knew all of the champions he discusses save Alekhine, and he played against six of them in serious competition. The chapter on Alekhine, despite the handicap of never meeting him, is a particular highlight. We journey with Timman to Lisbon, Portugal, where Alekhine spent his final years. We accompany him on his wanderings through the snowy town, and we are present as he stumbles upon one of Alekhine’s own chess sets in a tiny junk shop. Here, more than anywhere else in the book, we get a sense of Timman the flâneur, and the writing is evocative of no less than W.G. Sebald or Teju Cole.

Of the nine remaining champions, Karpov is the subject of the largest chapter, at just over 50 pages. This is not terribly unexpected, as Timman faced Karpov more than anyone else in his career – some 115 games, according to my database. The chapter on Smyslov reveals a shared love of studies and justifies Genna Sosonko’s claim of a stylistic affinity between the two men. For me, however, the most interesting sections are those on Euwe and Tal.

Max Euwe was a friend of Timman’s parents, having taught Timman’s mother mathematics in her youth. It was, however, through a book of Euwe’s games – “a plain-looking book with a hard dark-blue cover. … The paper was thick, the letters were large. Euwe was the hero.” (33) – that Timman first studied “real, serious chess.”

Books are a constant reference in Timman’s Titans. We learn that a book on Botvinnik (Botvinnik Teaches Chess by Müller) was an early influence, and Euwe’s Judgment and Planning in Chess was an introduction to “strategic planning.” Later books by Alekhine (My Best Chess Games 1924-1937) and Smyslov (Selected Games) were of great importance.

Euwe, whom Timman could never bring himself to address by his first name, is described as bearing a “colossal authority,” as indefatigably hard-working and (despite the odd over-the-board blunder) eminently logical. For his part, Euwe tried to help Timman where he could, setting up contacts for an early tour of the Soviet Union, and quietly contributing rather large sums of money to the “Timman Committee” that aimed to support an assault on the World Championship.

It is clear that that Timman greatly admired Euwe, despite some sharp differences in personality between the two men.Where Euwe was solid and respectability, the young Timman was a bon vivant, someone who “hung around in shabby cafes… surrounded by shady types” (55) and who used a threadbare fur coat as a makeshift sleeping bag. Discipline and sobriety were not in his nature. Indeed, as Timman tells us, his attempts to emulate Botvinnik’s “spartan” training methods before his first Grandmaster tournament failed horribly, and it was only after he returned to his “trusted, unhealthy” lifestyle that he began to win.

Perhaps Timman’s admiration for Mikhail Tal, “a type of romantic player that has disappeared,” (111) can be traced to their similar outlook on life. He seems to take delight in describing his first encounters with the Seventh World Champion, how he succumbed to the famed “hypnotizing power of Tal’s eye” (110) in their first game in 1971, and how he spent a drunken evening getting the better of Tal in a 1973 blitz match.

It is hard to imagine such a thing happening at one of today’s leading tournaments. Sure, the Chessbrahs like to have a little fun while streaming, and there are videos on YouTube of bughouse games after big events at the St. Louis Chess Club, but as Timman correctly notes, “[t]oday’s top player is a teetotaller… It is unthinkable that he would mingle in the social circles around the tournament the way Tal did. The top grandmasters of yesteryear sat at the bar like all the other visitors. Young players who invited them to play a blitz game would never be turned down.” (111)

For all of this, Timman was not blind to Tal’s very real flaws, and in particular, his alcoholism. He tells a story of one of the first times he saw Tal “knocked out by alcoholic excess:”

Ischa Meijer (a well-known TV journalist at the time in the Netherlands – translator’s note) had come to Hastings to interview me. … Meijer described how Tal interrupted our conversation, saying: ‘Jan, don’t tell them about our lives.’ The interviewer reported: ‘A while later, he has to be carried off.’ My father, who had great respect for top chess players, was upset by this short sentence. How did the interviewer dare to write something like that?

But however painful this short sentence may have been, it was the truth. To me it was more interesting what Tal said before that. I remember the look in his eyes – a touch of despair was visible when he testified to our solidarity. (114)

I have to admit that I find the pathos of this passage almost unbearable. It is testament to the strength of Tal’s demons and the challenges of living under the Soviet regime, but more than that, it is emblematic of broader societal changes in the intervening years. Our knowledge of public health (rightly) stigmatizes smoking, an activity that permeates Timman’s Titans, and the ‘romance’ of addiction is much withered. Luckily for Timman and for us, he seems to have learned to moderate his vices, allowing him to write this book, and us to enjoy it.

This review was originally meant to have included discussion of two other books, but Timman’s Titans is so rich, so packed with stories and insights, that twice my allotted page space would not have done it justice. I do not think it controversial to say that this is one of the best chess books published in recent years, and players of all strengths would find it of great interest.

What may be more controversial are my concerns – mild as they may be – over the direction of modern chess. I offer this olive branch to those who disagree with me: you can, barring the unforeseen, find me in the bar after the evening rounds at this year’s US Open in Madison. Come visit. I’ll buy you a drink, and we can shoot the breeze while we play some blitz or eavesdrop on someone’s postmortem.

Do me a favor, though – don’t come too late. I can’t stay out all night like I used to, and I’ll have meetings and another round to get ready for in the morning.

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Lombardy–In Memoriam

This column has been printed in the January 2018 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. Minor differences may exist between this and the printed version. My thanks to the good folks at Chess Life for allowing me to do so.

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Introducing his 1924 lecture course on Aristotle, Martin Heidegger famously said:

Regarding the personality of a philosopher, our only interest is that he was born at a certain time, that he worked, and that he died. The character of the philosopher, and issues of that sort, will not be addressed here.[1]

Building this month’s column, I thought about, and dwelt with, this passage for many days. I consider Heidegger to be one of the most important, if personally flawed, philosophers in the whole of the Western tradition. Here, however, I cannot help but disagree with the “Hidden King” of Marburg.

Any interpretation of a thinker or writer’s legacy must focus on the written word, but not exclusively and rigidly so. Biography can often help explain the influences and shifts outside of the text that, all the same, weave themselves invisibly within it.

This is certainly true of Heidegger himself, and it is just as true of Grandmaster William (“Bill”) Lombardy, whose life and books are under our lens in this month’s issue. Lombardy was a brilliant chess player who, for better or worse, became best known for his supporting role in Bobby Fischer’s ascension to the World Championship. This fact, this constant and perhaps chafing association, may help to explain the advent of his productive authorial career and its tragic, final chapter.

To my knowledge Lombardy wrote or co-wrote seven books, six of which will be discussed here. (The seventh – a tournament book for the 6th Interpolis Chess Tournament, released in 1983 – is only available in Dutch.) Modern Chess Opening Traps was the first, published in 1972 right before the Iceland match and appearing in England as Snatched Opportunities on the Chessboard: Quick Victories in 200 Recent Master Games.

Both titles are slightly misleading. The book is largely, as the latter suggests, a collection of miniatures from the late 60s and early 70s, although only the English edition attributes the games’ players, and then only in an index. But Lombardy also includes a number of opening ‘traps’ or typical blunders in standard openings systems.

Of particular contemporary interest is game #193, where we see how quickly Black can lose in the London if White gets a free hand on the kingside. The evaluations and quotes are Lombardy’s, and I have translated his Descriptive Notation into Algebraic.

1.d4 d5 2.Nf3 Nf6 3.Bf4!

Lombardy curiously labels this a “Modern Colle” due to the placement of the bishop outside of the c3–d4–e3 pawn chain.

3…e6 4.Nbd2 Nbd7 5.e3 Be7

Current practice shows Black’s move order and setup to be somewhat suspect. Today’s theory prefers 1.d4 d5 2.Bf4 (the ‘Modern’ London) Nf6 3.e3 e6 4.c3 c5 5.Nd2 Nc6 6.Ngf3 Bd6 (more popular than …Be7) 7.Bg3 0–0.

6.Bd3 c5 7.c3 0–0?! “Better is …b6 and …Bb7.” 8.h4! b6 9.g4 Nxg4? 10.Bxh7+ Kxh7 11.Ng5+ Kg8 12.Qxg4 Nf6?

Lombardy: “Carelessness is a great extravagance in a tight game. …f7–f5 helps close the gaps.” Still, White seems much better here. After 12…f5 13.Qg2 Nf6 (defending e6) 14.Rg1 White’s attack is hard to meet without major concession.

The computer thinks Black can hold after 12. …cxd4! 13.cxd4 (13.Be5 Nxe5 14.Qh5 Bxg5 15.hxg5 f5 16.g6 Nxg6 17.Qxg6 and Black should survive this.) 13…e5! (13. …Nf6!? is unclear) 14.Rg1 Nc5 (14. …exf4? 15.Ne6) 15.Qh5 and now a typical silicon drawing variation follows: 15. …Bf5 16.Bxe5 f6 17.Ne6 Bxe6 18.Rxg7+ Kxg7 19.Qg5+ Kf7 20.Qh5+ Kg7 21.Qg5+ Kh8 22.Qh5+=.

13.Qe2 g6 “Helpmate!” If 13. …Bd6 14.Be5! and Black cannot take the bishop: after 14. …Bxe5 15.dxe5 Black must lose the knight or abandon h5 to the Queen.

14.h5! Nxh5 15.Rxh5! gxh5 16.Qxh5 Bxg5 17.Bxg5 f6 18.Qg6+ Kh8 19.0–0–0 “Black resigns before mate.”

While Lombardy did not play in the 1973 U.S. Championship, the first to be played after Fischer’s victory, he did write its tournament book. The bulk of U.S. Championship Chess: A History of the Highest American Chess Title, with the 1973 Matches Annotated (1975) features Lombardy’s fine annotations, but of greater note is the presence of the book’s co-author, David Daniels.

Daniels, who wrote the historical section of the 1973 tournament book, was a New York master who ‘pinch-hit’ for Fischer in his December 1967 Boys’ Life column, and who (according to Andy Soltis) may have been one of the ghostwriters for I.A. Horowitz’ column in the New York Times. True or not, Daniels was a chess writer and historian of some repute, and his association with Lombardy bore excellent fruit.

Two of Lombardy’s most interesting works – Chess Panorama (1975) and Guide to Tournament Chess (1978) – were co-written with Daniels. In contrast to the 1973 tournament book, where each man took clear responsibility for specific portions of the text, these two titles are largely (but not wholly) written in one voice. The effect is laudatory.

Chess Panorama is a light-hearted anecdotal look into the world of chess, touching on topics like the clock, “chess scandals,” endings and final rounds. I rather enjoyed the discussion of the opening, where the authors – in 1975, years before ChessBase! – lament the explosion of opening theory, and the chapter on blunders is of particular interest.

Guide to Tournament Chess is a comprehensive introduction to rated chess. Part I describes the logistics of the tournament circuit along with rules and etiquette. Part II, “A Guide to Better Play,” offers practical advice. Among the topics covered are playing against stronger opponents and the ‘strategy of the draw.’ The skeleton of an opening repertoire is sketched in six pages, and a thoughtful bibliography of recommended books – one comparatively heavy on endgames and game collections – rounds things out.

Daniels was not Lombardy’s only writing partner. Chess for Children: Step by Step (1977), an introduction to chess using photographs and color diagrams, was co-written with Betty Marshall, the wife of Fischer’s lawyer Paul Marshall. While the book appears dated today – the quality of both print graphics and chess primers having increased dramatically in the intervening years – its use of ‘mini-games’ to focus on specific pawn and piece play was an interesting pedagogical experiment.

Lombardy did not publish between 1983 and 2011. He returned to print with his autobiographical Understanding Chess: My System, My Games, My Life, produced by Russell Enterprises but appearing under Lombardy’s own imprimatur. The book strikes a very different tone than is found in his previous titles, and this requires some consideration.

I first met Bill Lombardy at the 2013 U.S. Open. We crossed paths a few times more, most recently at the 2017 Iowa Open mere weeks before he died. The older Lombardy was, in my experience, a deeply bitter man who felt that his genius and his tutelage of Fischer had gone unappreciated, and that he had been systematically shortchanged by the chess world. While he could be charming and cordial, particularly in one-on-one settings, Lombardy did not hesitate to vent his spleen loudly and publicly.

Whether and to what degree this bitterness was justified, I leave to the reader. But it must be said that the Janus-faced nature of Understanding Chess – a work that veers between erudite games collection and pure score-settling – only makes sense in this context. His analysis and explanation of his game against Hans Ree at the 1976 Olympiad is emblematic of the book’s dual polarity. We pick it up (with Lombardy’s notes) at move 50, where the players adjourned.

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50.d4! The following rook endgame is quite instructive for any player… 50. …Rf6? … Hans in fact missed a golden opportunity to activate his rook, an opportunity which he will denied for the remainder of the ending. He should have played for the active rook, the basis of all rook endgames and which in this case seems to hold the draw: 50. …Rg7! 51.dxc5 Rg2+ 52.Kf3 Ra2 53.cxb6 Rxa3+ 54.Ke2 axb6 55.Rxb6 Rc3=. 51.Rh7+ Trading rooks leads to a quick draw, even though White achieves a protected passed pawn. 51. …Rf7 52.Rh5! In this case, the fact that White’s pawns are split is to his advantage from the perspective of creating a supported passed pawn. Again we are reminded of the active rook. 52. …cxd4 53.Kd3 Kd6 54.Kxd4 Rf6 55.Rg5 a6 56.Rh5 Ke6 57.Rh8 Kd6 58.Rd8+ Kc7 59.Rd5! White is clearly better, but this is also the critical moment for Black since his next move will define the defensive task to come… 59. …a5? This eases White’s task… 60.a4! Now Black’s queenside is fixed and White’s a-pawn, which in many lines could be captured on a3, is further out of range of the black rook. The impending simplification of pawns following c5, followed by the invasion of the white king, easily decide the game. 60…Kc6 The active rook concept is no longer enough. 61.c5! bxc5+ 62.Rxc5+ Kb6 63.Rb5+ Ka6 64.Ke5 Rc6 65.Rd5 Rc4 66.Rd6+ Kb7 67.Rd4 Rc1 68.Kxf5 Kc6 69.Ke5 Kc5 70.Re4 1–0

While there are some additional resources for Black – most notably on move 61, where Ree could have played 61. …b5! or 61. …Re6! 62.Rxf5 b5! to hold the draw – Lombardy does an excellent job of explaining the practical difficulties in Black’s defense and the underlying positional principles. He also played the ending pretty darned well.

Less savory is the introduction to the game, where Lombardy claims that Ree shirked his adjournment analysis in favor of a night at the hotel bar. This, according to Ree himself in his monthly column at the Russell Enterprises website, lacks any basis in reality. The Dutch team did not even stay at the hotel in question.

Understanding Chess is filled with similar sideswipes. In its first pages he offers a novel account of basic chess principles and ‘eidetic imagery,’ but not before he has taken shots at multiple chess personages for “thwarting” his chess teaching and denying him lucrative opportunities. Perhaps his rawest vitriol is reserved for Jack Collins, the founder of the famous Hawthorne Chess Club and lauded mentor to both Fischer and Lombardy.

Lombardy’s claim in Understanding Chess can be summed up simply: Jack Collins was never Fischer’s teacher. His lack of playing strength meant that he could only offer “trivial knowledge” to the Byrnes, Fischer, and Lombardy, all of whom were “superior masters” to Collins. It was Lombardy himself who was guided Fischer. “…I was Bobby’s only chess teacher from [age eleven] and right through Reykjavik. Some may not like hearing this surprising news, but I assume they will get over the shock… Thus Spake Zarathustra!” (14)

This is a very different tune than was sung by Lombardy in his earlier books. Chess for Children is dedicated to “John (Jack) W. Collins, the teacher of Grandmasters and World Champions, who made chess a truly happy experience for me and so many others.” Lombardy’s 1974 forward to Collins’ My Seven Chess Prodigies is effusive in its praise, and he goes so far as to write that “Jack is the chess teacher.”

Bracketing some of the factual problems in Lombardy’s claim – it’s hard to see how he could have met Fischer before 1956, when Fischer was already thirteen – what could explain this radical break? Lombardy decries his being left out of Collins’ will in Understanding Chess, but in the final analysis, I cannot help but wonder if the rift comes from somewhere deeper.

William Lombardy was a highly educated man and, by any standard, a true chess great. His perfect score in the 1957 World Junior Championship is a ridiculous feat, unequaled to this day, and his fifteen medals in twenty years of international team play are astounding. But he came of age in a time where two greater players – Sammy Reshevsky and Bobby Fischer – sucked up all of the oxygen in American chess, leaving almost no support for anyone else.

What, then, was left for a man so close and so far from the top of our game? To me, the invocation of Nietzsche’s Zarathustra, the prophet who proclaimed the coming of the übermensch, is telling. Lombardy saw Fischer as the overman, born in part of Lombardy’s own unheralded efforts, and we – the mediocre ‘last men’ of Thus Spoke Zarathustra – were incapable of appreciating either of them. The outpouring of love and remembrance after his death is evidence that, at least in this respect, Lombardy might have been mistaken.

** My thanks to my good friend Bob Woodworth for allowing me to raid his extensive library in researching this piece.


[1] Heidegger, Martin. Basic Concepts of Aristotelian Philosophy. trans. Robert D. Metcalf and Mark B. Tanzer. Bloomington: Indiana University Press, 2009. 4.

Analyzing the 2016 World Chess Championship

This review has been printed in the December 2017 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. Minor differences may exist between this and the printed version. My thanks to the good folks at Chess Life for allowing me to do so.

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Alburt, Lev, and Jon Crumiller. Carlsen vs. Karjakin: World Chess Championship, New York 2016. New York: Chess Information & Research Institute, 2017. ISBN 978-1889323299. PB 336pp.

Looking back at my time at the World Chess Championship in New York last year, and looking through the hundreds of pictures I took, one image clearly stands out. It’s not of Magnus or Sergey. It’s not of the crowds of casual spectators and hardcore fans. And it’s certainly not of the VIP section, fully one-quarter of the event floor space and totally off limits to the hoi polloi like me.

I attended the third game of the match as a “credentialed journalist,” giving me access to the Press Room. It was a small space, crammed with laptops and cameras, extension cords and water bottles. There I tried not to gawk as the famous Spanish chess journalist Leonxto Garcia wrote and filed his report, and with NRK’s Ole Rolfsrud interviewing many of the journalists for Norwegian television, I suspect I’m in more than a bit of their B-roll.

Game 3 was a long one, more than six hours in all, and there was a palpable sense of relief when it concluded in a hard-fought draw. With a train to catch, and with the press conference dragging on, I returned to the Press Room to gather my things.

2016-11-14 20.57.39

The room was nearly deserted, despite the arrival of the long-rumored pizza. Only two people remained. One rested her head on the narrow table and slept. The other – Chess Life columnist GM Robert Hess – sat typing, earbuds in and oblivious to the emptiness around him, racing to complete his rapid game analysis for Chess.com.

In some ways, what I saw Hess and his colleagues from Chess.com doing that day was nothing new. Baseball writers, for example, are often are forced to rework their articles after late inning heroics. But I had never really considered what it took to produce the near-instant news articles and expert analysis we have come to expect in the digital age.

It was fascinating to watch FM Mike Klein, Chess.com Director of Content and frequent Chess Life contributor, write and rewrite his reporting, changing its title as Carlsen’s winning chances ebbed and flowed. Hess had multiple chess websites open on two laptops as he wrote, cross-checking his ideas with those of engines, the Agon announcing team, and analysts from around the world.

There is no doubt that the chess world is greatly enriched by these kinds of efforts. It was awesome (in the original sense of the word) to play through Hess’ analysis on my smartphone on the train home, and I was glued to the competing livestreams as the match unfolded.

For all of this, it seems to me that something is lost in the dromological arms race endemic to contemporary mass media. Fast – and this is by no means a slight on Hess or Klein – may not always be definitive. Some of the games in the Carlsen-Karjakin match, like game three, were incredibly complex, requiring analytical depth and distance hard to muster in real-time. And this, traditionally, has been the role of the match book.

The match book, like the tournament book (see my April 2017 column), is increasingly an anachronism in modern chess literature. Sure, there are always the “instabooks” published as soon as the match ends, but serious, learned studies of World Championship matches seem to be a thing of the past.

Or maybe they’re not.

Carlsen vs. Karjakin: World Chess Championship 2016, written by GM Lev Alburt and NM Jon Crumiller, is a readable and rigorous analysis of all sixteen match games. Alburt, who emigrated to the United States in 1979, is a three-time winner of the US Championship, the author of numerous instructional books, and – as a recent Bloomberg Businessweek profile makes clear – the chess teacher of choice for Manhattan’s financial elite. Crumiller is a long-time Alburt student and a master in his own right, having earned the title in over-the-board and correspondence play. He is also one of America’s leading chess collectors.

With both authors living in the New York area, and with their strong connections to FIDE (Alburt) and Agon (Crumiller, who was a major contributor to the Agon published Masterworks: Rare and Beautiful Chess Sets of the World), Alburt and Crumiller attended most of the games at the Fulton Market playing venue. The roots of this book, as Crumiller explains it (7), can be found in their mutual attempts to understand each day’s games.

Carlsen vs. Karjakin is not written as a holistic historical record of the match. Rather, as the above suggests, it largely focuses on the games themselves, combining in-depth analysis with more basic instructional elements. There is for this reason something of an internal tension to the book, and this tension is only intensified when we consider the contributions to Carlsen vs. Karjakin by former World Champion Vladimir Kramnik.

Kramnik does more than just offer “round-by-round game analysis,” as the cover art describes it. He’s really the book’s third author, providing serious and provocative commentary for each game along with two lengthy interviews. Because he competes against both Carlsen and Karjakin on a regular basis, and because he knows all too well the pressures of playing for the World Championship, Kramnik is an ideal match commentator, and his insights here are invaluable.

The structure and layout of Carlsen vs. Karjakin will be familiar to anyone who has read one of Alburt’s previous books. Each of the twelve regulation and four tiebreak games receive their own chapters, prefaced with three “key position” color diagrams, a brief introduction, and a picture. The great bulk of the book lies in the analysis, with Alburt and Crumiller providing the main notes and Kramnik’s contributions appearing in blue text boxes.

There is a kind of productive dialectic between these two narrative voices when Carlsen vs. Karjakin is at its best. Kramnik helps readers understand how a super-GM approaches specific positions and decisions from a first-person perspective, and his discussions of match psychology are particularly illuminating. Alburt and Crumiller write in a more objective, third person voice, making extensive use of strong engines to try and reach the truth of key positions. Their account of Karjakin’s Game 10 blunder (56. …Rhh7?) is a case in point: the notes run for four dense pages, and they improve on Giri’s analysis in New in Chess.

When Alburt and Crumiller reference Kramnik’s contributions and refine them, adding analytic heft and clarity to his ideas, the book really hums. There are places, however, where this interplay breaks down and readers are left stranded. Consider this position from Game 4, where Karjakin has just played 45.Nd1.

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After Carlsen’s 45. …f4?, Karjakin was able to build a fortress and, after nearly fifty more moves, hold the draw. 45. …Be6 is a clear improvement that should lead to victory. But how?

Calling the win “trivial” and “even easier… than [he] had thought,” Kramnik states:

“When you have the two bishops, you need to open up the position. That’s just basic logic. The winning plan in general is:

I. After …Be6, White’s knight eventually needs to come to f2, so Black can put a pawn on a4, bishop on d5, bishop on c7 (White will probably have his bishop on d4).

II. Then Black plays …fxg4 and after Nxg4, …Kf4. If the knight goes back to f2, then the pawn travels through g4 to g3, and eventually promotes. And if Ne3+, then …Ke4, because the bishop endgame is completely lost. Black can just invade with the king and then push the g-pawn.” (77)

This is a very advanced example of what Mikhail Shereshevsky calls schematic thinking. Not surprisingly, I struggled to understand it, “basic logic” or not, and I suspect that most class players would have similar difficulties.

If Kramnik overshoots his audience here, Alburt and Crumiller miss in the opposite direction. Rather than expanding on Kramnik’s plan with illustrative variations, they write: “45. …Be6 keeps all options open for Black, in the form of three different plans: [1] play on the kingside, [2] penetrate with the king in the center, and [3] penetrate with the king via a long walk to the queenside. … A similar concept can be found in the strategy of ‘playing against two weaknesses.'” (78) This is true as far as it goes, but it doesn’t help me understand how to actually win after 45. …Be6.

[Interested readers can click here to see just how Carlsen could have won. I draw on published analysis from Chirila, Giri, Lund and Svidler.]

I do not want to overstate the case, because in general I think Carlsen vs. Karjakin to be a very fine work indeed. Still, there are times when the various commentary tracks – Kramnik’s deep, “pull no punches” insights, Alburt’s pedagogical bon mots, and Crumiller’s engine verified analysis – don’t quite sync up, leaving the book slightly at odds with itself and unclear on what it wants to be. For an ambitious work like this one, the sin is small and forgivable.

Many books are described as “labors of love” by their authors. Carlsen vs. Karjakin is the real McCoy. Alburt and Crumiller could have written a perfectly serviceable book on their own, but by bringing Kramnik on board, they have produced something special. Certainly there are some downsides to this level of authorial investiture – there is no reason to include pictures of Crumiller’s sets and books, and the repeated mention of other Alburt titles is tacky – but here again, such minor lapses in objectivity are justified by the end result.

Carlsen vs. Karjakin is a definitive study of the 2016 World Chess Championship. Its authors invested a lot of time, effort, and (I suspect) money in the book. The layout is attractive, the book lies flat, and dozens of color pictures from the match are included. Ultimately, though, this is a book whose raison d’être is its game analysis, and it’s on that basis that it really shines.

Nota bene: Chess Life Editor Dan Lucas served as editor for the book under review this month, and he wrote its Introduction and Epilogue. The opinions and conclusions above are fully mine, and with the exception of minor grammatical or stylistic changes, it is identical to what I originally submitted. – JH

Doing Jay justice?

This review has been printed in the June 2017 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. Minor differences exist between this and the printed version. My thanks to the good folks at Chess Life for allowing me to do so.

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Bonin, Jay, and Greg Keener. Active Pieces: Practical Advice from America’s Most Relentless Tournament Player. Newton Highlands: Mongoose, 2017. ISBN 9781936277766. PB 256pp.

Among Caïssa’s many servants, few are as devoted as is Jay Bonin. The International Master has been a fixture on the New York chess scene for over 40 years, and hardly a day goes by that Bonin is not playing at one of the Metro Area’s many tournaments. He has contested an astounding 16,885 rated games (as of 4/2/17, and across all time controls) since US Chess started keeping electronic records in 1991.

I came of age playing chess around New York, and I vividly remember encountering Bonin at one of my first tournaments at the Nassau Chess Club. That a titled player, someone one step away from being a Grandmaster, was right there in the flesh… it was astounding. Somehow I worked up the courage to walk up and ask him if he could recommend a book on bishop endings – how random! – and, looking back, the adult me can recognize the weary smirk with which he answered that gawky, sweaty teen.

It is not hyperbole to say that Jay Bonin is a legend of New York chess. So when I heard that there would be a book about Bonin, I was excited. There are so many great American players (particularly of Bonin’s generation) whose stories are never told, whose best games never make it to the databases. At least one of them would be spared that fate.

Active Pieces: Practical Advice from America’s Most Relentless Tournament Player is an annotated collection of 130 of Bonin’s games. While the stories and ideas are Bonin’s, the words themselves belong to co-author Greg Keener. This is Keener’s second such effort, having co-written The Czech Benoni in Action with another New York stalwart, FM Asa Hoffman.

Much of Bonin’s style seems to derive from the rigors of incessant tournament play. He is primarily a grinder, someone comfortable playing dry, technical positions to the bitter end against weaker opponents. We see this most clearly in chapters 4-7. Chapter 4 consists of games in Bonin’s pet openings, which often lead to quick queen trades and deceptively quiet situations. Chapters 5-6 show us how he handles sterile positions, using small imbalances to maximize winning chances. And Chapter 7 contains multiple examples of his counterpunching skills.

One of the very nice things about Active Pieces is the sparse, stream-of-consciousness nature of some of the annotations. It’s rare that we get something approaching unfiltered access to a strong player’s in-game thoughts, and I think there’s great value in seeing how Bonin goes about conjuring victories from equal positions.

Perhaps that’s why I was so disappointed by the multiple analytical errors I found when playing through the games. I’m not talking about a swing from +0.4 to -0.3 pawns, which would be forgivable. The text glides over major blunders without comment, and there are notes containing deeply flawed evaluations and analysis. Here’s one particularly egregious example.

image

In Bonin-Shchukin (Philadelphia, 2000) White has just played 38.Ne6, and Bonin and Keener write: “Decisive. The f-pawn will also have a say in matters.” (112) Black is indeed lost after 38. ..h5, but 38. ..Rb5+ is drawn. Some might argue that the draw is difficult, that it might be hard to see over-the-board, and I’ll willingly grant both claims. The fact remains that the annotation is fundamentally wrong.

Active Pieces is sloppy in other ways. The proofreading appears to have been lax, as there are incorrect move numbers in notes and inconsistent attribution of place in game headers (100). Bonin-Remlinger took place in Chicago, not New York, in 1992 (108), and Foxwoods is not in New York but in Connecticut (179). I also thought that the frequent repetition of games from chapters 1-8 in chapter 9, a set of 100 tactics to solve from Bonin’s games, deserved at least some kind of explanation.

Active Pieces could have been a fitting tribute to a man who has given much of his life to our game. Instead it feels like a first draft of that book. New York players will love it, but those concerned with accuracy may want to wait for a second and corrected edition.

Keres’ Magnum Opus?

This review has been printed in the April 2017 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. My thanks to the good folks at Chess Life for allowing me to do so.

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Keres, Paul. World Chess Championship 1948. trans. Jan Verendel. Gothenberg: Verendel Publishing, 2016. ISBN 978-9198366501. HB 540pp.

One of the curious features of modern chess publishing is the lack of commercial interest in new tournament books. (World championship matches are something of an exception to this rule.) With games available in real-time via the web, and with the rise of livestreamed video commentary and flash annotations, who needs a book that appears months after a big event ends, and when our attention has already shifted thrice-fold to the shiny and new?

For all of this, there is also a countervailing trend to be found, where some older, heralded tournament books are being translated and brought back into print. First among these are two titles from Russell Enterprises. Miguel Najdorf’s Zurich 1953: 15 Contenders for the World Chess Championship compares favorably with David Bronstein’s canonical work on that tournament, and Max Euwe’s The Hague-Moscow 1948: Match / Tournament for the World Chess Championship is erudite and engaging.

Now the young Swede Jan Verendel has done the English speaking world a great service with his translation and publication of Paul Keres’ World Chess Championship 1948. Keres was, of course, a tremendous chess talent, the runner-up at four Candidates’ Tournaments and a stalwart of Soviet Olympic play. While he is remembered as perhaps the greatest player never to become World Champion, Keres’ contributions to chess literature are often undervalued. This new translation should help to remedy that slight.

Originally published in Estonian in 1949 and in Russian shortly thereafter, World Chess Championship 1948 is often cited by Garry Kasparov as one of his favorite books. Boris Gelfand lauded it at the 2016 Keres Memorial and lamented its relative obscurity among chess fans. I concur with both of these assessments. Keres’ book is a masterpiece that has been neglected for far too long.

World Chess Championship 1948 is a sturdy hardcover of almost 550 single column pages. While the dust jacket is a bit amateurish, the text itself is attractive and well designed, reminiscent of some early titles from Quality Chess. Such similarity should not surprise us once we note that Ari Ziegler, who helped launch Quality Chess, served as Verendel’s typesetter. I was amused to find that the colophon in World Chess Championship 1948 was structurally identical – fonts and all – to early Quality Chess efforts.

Keres is a brilliant annotator, certainly on a par with Botvinnik or Smyslov, and his powers are on full display in this book. He does an excellent job of explaining the critical features of positions, often in painstaking detail, and most of his analysis holds up when checked with an engine. When errors do occur, they usually pop up a few ply deep, meaning that his overall assessment still checks out.

Consider this position, taken from the fourth round game between Max Euwe and Vassily Smyslov.

image

Replayable link to the following analysis:
http://www.viewchess.com/cbreader/2017/4/4/Game51003890.html

Here Euwe famously played the “beautiful sacrifice” 33.Nexg6 fxg6 34.Nxg6?! (34.Qg4 should still win) 34..Kxg6 but after 35.e5? Kf7 36.Qh5+ Kf8 37.f4 Bb6 38.Qf5+ Ke7 39.Qh7+ Kd8 40.Bxb6+ Qxb6+ 41.Kh2 Qe3 42.Qf5 Nc6 he was forced to resign.

With 35.Qf3! Keres correctly notes that Euwe would have kept some “saving chances.” The line goes 35. ..Be6 36.Qf8 Kh7! 37.Qxd8 Nc6 38.Bf6! (38.Qd5 Qd7 39.Qxb5 Nxd4 40.Qxd7+ Bxd7 41.cxd4 Ne7 gives White three pawns for the piece but a worse position according to Keres, while Stockfish offers 38. ..Qc8 as an improvement) 38. ..Bf5. Here Keres gives 39.Qd6 Bg6 40.f4? Nxf6 41.Qxf6 and the computer thinks Black’s material advantage should prevail. After 39.Qd5, however, the position remains very unclear.

Verendel’s translation is solid and quite readable, although I have no way of knowing how close it is to the original Estonian. His aim seems to be maximum fidelity to Keres’ own words. Perhaps that is why – rather strangely, I thought – there are no editorial apparatus included.

Some kind of translator’s introduction would have added depth to the book, and if you’re interested in a ‘behind-the-scenes’ view of each day’s events, Euwe’s book is a valuable supplement. All the same, in an age where every new release is immediately deemed to be a classic, Keres’ book actually fits the bill. It belongs on the bookshelf of every serious chess fan.

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WEB EXTRA:
I looked at quite a few of the games from the 1948 tournament in some detail for this review, and the famous Keres-Botvinnik endgame from round 15 was particularly interesting. For print space limitations I could not mention this game, but it seems shameful to let the work go to waste when I could put it up on the web and let folks enjoy it.

http://www.viewchess.com/cbreader/2017/4/4/Game51511625.html

Gelfand’s Lofty Standard

This review has been printed in the February 2017 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. My thanks to the good folks at Chess Life for allowing me to do so.

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Gelfand, Boris (with Jacob Aagaard). Dynamic Decision Making in Chess. Glasgow: Quality Chess, 2016. ISBN 978-1784830137. HB 288pp. List $34.95.

Positional Decision Making in Chess, the first volume in Boris Gelfand’s ‘Decision Making’ series, was published by Quality Chess in 2015 to critical acclaim. (See the September 2015 issue of Chess Life for my rapturous review.) Now Gelfand’s second book, Dynamic Decision Making in Chess, is available. Does it live up to the lofty standard set by its predecessor?

The title of Gelfand’s new book accurately describes its contents. His main theme is decision making, with a particular focus on (a) how Gelfand makes practical decisions over the board and (b) his handling of dynamic positions. While Gelfand’s articulation of his thought processes is clear and mainly successful, the lens he uses (dynamical play) makes its complete exploration very difficult.

Gelfand describes the “core” of his books as follows:

I want to explain the thinking that has led to my reasonable success as a chess player, and not ‘cheat’ in the process. It is quite easy to analyze a variation with the engine and then explain why it works. And this certainly has its uses, but to me it is more interesting to talk about how we find the moves in the first place. This is the key to playing better chess. (260)

The goal of the books in this series thus far is to offer an honest accounting of how a super GM like Gelfand decides on his moves. The analysis tries to follow Gelfand’s in-game stream of consciousness, and because he cuts no corners, it can be incredibly complex. A recurring theme of the book is Gelfand’s warnings about overreliance on the computer.

It is a mistake to assume that Grandmasters think like engines. Because humans cannot begin to match the machine in terms of calculation, because we can’t see everything like the computer does, at some point we have to “guess.” (8, 86) Decision making on the basis of limited information (guessing) relies on intuition, evaluation, and judgment. (160, 218, 226).

Gelfand’s point seems to be this: humans cannot calculate their way to good decisions. We must rely on “general considerations” (15) while we play, and we must use our intuition to take decisions that we cannot fully calculate. How do we train intuition, and in this case, how do we train our sense of dynamics?

There’s the rub.

It’s important to be clear about what we’re talking about. Dynamics involves the ephemeral in chess. Some temporary feature of the position must be converted into an lasting advantage before it dissipates. (8) Dynamic chess involves intuition and calculation for Gelfand, but devolves to neither. (9). It is not strictly tactical or strategic in nature, the very distinction being somewhat artificial in his view. (61)

For all of the analysis in Dynamic Decision Making in Chess, and for all of the exquisitely careful explanation of decisions and thought processes, there is nothing to my eye that explains how Gelfand senses dynamism in a position. He just does, and more than that is hard to explain.

This is not a knock on Gelfand (or his co-author Jacob Aagaard). Dynamic Decision Making in Chess is a wonderful book, one of the best of its kind, but like every book on dynamics, there comes a point where analysis and explanation fail and we must simply bear witness to genius.

Again, let me be clear. I am not claiming that the great moves of the masters are somehow ineffable or beyond reason. Instead, what I am arguing follows from the block quote above.

It is easy, as Gelfand notes, to retroactively explain the logic of a brilliant move. What is more difficult is clearly articulating the move’s genesis without falling prey to what John Dewey called the ‘philosopher’s fallacy,’ where the results of analysis are taken to accurately represent what was experienced before analysis began.

Studies of dynamic play are, in my experience, particularly susceptible to this kind of fallacy. While Gelfand works diligently to break down the logic of his best moves – his 11…Ra6!! against Karjakin from the 2009 World Cup, for instance (227-239) – there is a level of analysis beyond which he cannot go. It took him 40 years of study and solving (54, 134) to find such moves, and their intuitive, unconscious origins are not easily excavated.

Does this mean that Dynamic Decision Making in Chess fails in its project? Absolutely not. It may lack the clarity and focus of Positional Decision Making in Chess, but this is due to Gelfand’s ambitious handling of a very difficult subject and his refusal to simplify his thought processes for the sake of expediency. The analysis is best suited for experts and above, but players of all strengths can’t help but learn from this book.

Everyman Roundup

This review has been printed in the October 2016 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. My thanks to the good folks at Chess Life for allowing me to do so.

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Collins, Sam. Karpov: Move by Move. London: Everyman Chess, 2015. ISBN 978-1781942291. PB 288pp. List $27.95.

Engqvist, Thomas. Stein: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942697. PB 496pp. List $34.95.

Franco, Zenón. Rubinstein: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943144. PB 400pp. List $29.95.

Franco, Zenón. Spassky: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942666. PB 464pp. List $29.95.

Giddens, Steve. Alekhine: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943175. PB 304pp. List $27.95.

Lakdawala, Cyrus. Fischer: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942727. PB 400pp. List $29.95.

Lakdawala, Cyrus. Tal: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943236. PB 400pp. List $29.95

Pritchett, Craig. Steinitz: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942543. PB 288pp. List $27.95.

Some years ago I gave a talk at a university in New York about how we might use the technology of chess to better understand the nature of technology. I argued that modern chess players were, for all intents and purposes, cyborgs, and I meant this fairly literally. The dividing line between man and machine is blurred in contemporary chess, with top young players internalizing the lessons taught by Komodo and Stockfish so deeply that they begin to play like computers themselves.

The rise of the machines has wrought many changes in our beloved game, and none so lamentable as the slackening of historical memory among its players. There are many GMs today who proudly gained their titles without studying the classics of chess literature. And it kind of makes sense: if chess today has mutated, becoming intensely concrete and pragmatic, why study Alekhine’s games when (a) they no longer resemble modern practice and (b) the computer tears apart his analysis?

As a chess teacher and a fan of chess history, this gives me the sads. The majority of chess players would benefit greatly from a grounding in the classics; as John Watson puts it, “classic games by the old masters make particularly good teaching material, because the strategic ideas in them are relatively simpler to understand and more clearly expressed than in modern games.” Such study can also be pleasurable, something I find difficult with modern and inscrutable super-GM contests.

This month I take a look at eight recent biographies / individual game collections from Everyman, one of the most prolific publishers of such books today. All eight appear in their Move by Move (hereafter, MBM) series. Most current Everyman books are presented in this way, using a question and answer format to mimic a private lesson and functioning as a kind of Greek chorus for the proceedings.

Let’s begin with Steinitz: MBM, written by Craig Pritchett. It consists of thirty-five well-annotated games ordered chronologically and with historical context. Pritchett views his book as a “traditional games collection and biography” (8) and it succeeds in this, giving readers a solid overview of Steinitz’s career and contributions to the game. There is a heavy emphasis on the 1886 match with Zukertort, and Pritchett does a nice job of sketching the basics of Steinitz’s revolutionary positional theories. (174-6)

Steve Giddens’ Alekhine: MBM is, in contrast, almost wholly a games collection. Giddens analyzes thirty-five of Alekhine’s games and includes twenty positions from Alekhine’s play for the reader to solve. He tends to use more words and less concrete analysis in explaining Alekhine’s moves, making this book excellent for the lower-rated player. I did find it curious that Giddens relied on a seven year old engine (Fritz 12) to check his lines, and I also would have appreciated some biographical content – there is almost none in the book.

Stein: MBM is the largest book on review here at 496 pages, and this is made all the more impressive by the fact that it uses a smaller font than the others! Thomas Engqvist does an impressive job of contextualizing each of the sixty thoroughly annotated games in Stein: MBM, explaining who the opponents were and incorporating extensive research into the notes. He carefully traces Stein’s progression from “new Tal” to complete player, attributing some of the shift to Petrosian’s influence. All of this makes for a wonderful book, and it should become the standard work on Stein’s life and games.

Sam Collins’ Karpov: MBM is, by the author’s own admission, neither a biography nor a collection of Karpov’s best games. Collins chose to “select a number of aspects of Karpov’s play which could be helpful to club players.” (7) He uses Karpov’s games to illustrate typical middlegame themes – prophylaxis, the IQP, etc. – and supplements this with sketches of his opening play and a selection of games from his famous Linares 1994 tournament victory. This is a novel approach, but unless you’re particularly interested in Karpov’s games under these exact parameters, I think this is a title you can safely skip.

This leaves us with two books each by two of Everyman’s most prolific Move by Move authors, Zenón Franco and Cyrus Lakdawala. Attentive readers will recall that I have already reviewed books by Franco (Anand: MBM) and Lakdawala (Carlsen: MBM) in the February 2015 issue, and that I was decidedly less impressed with Lakdawala than I was with Franco. That opinion has not changed, and in the remainder of this month’s column, I’ll explain why.

Franco’s books – Rubinstein: MBM and Spassky: MBM – are both thematically structured works that focus on the player’s games and not on their biographies. Both books are scrupulously sourced and work to expose the reader to the specific strengths of the player in question.

With Rubinstein, for example, Franco analyzes thirty-four games that center on Rubinstein’s positional play (§1) and endgames, with special emphasis on his rook endings (§3,4). The forty games in Spassky: MBM revolve around Spassky’s handling of the initiative and his special expertise in favored opening systems. Both titles begin with studies of each player’s style, both are well-researched, and the analysis in each is absolutely top-shelf. Indeed, Franco often improves on the published analysis of others, and particularly in the Rubinstein book.

Having reviewed three of Lakdawala’s books, I have hesitated to review more for fear of being seen as too harsh. My views on Lakdawala’s style are well known by now, something Lakdawala might be pointing out in Fischer: MBM when he decries “the misguided readers who hate my writing style and punish my books with a hateful review.” (49)

There are some who absolutely adore Lakdawala’s color, wit, and total lack of restraint. There are others – count me among them – who find it all just too cute by half. The good news is that some of the worst of Lakdawala’s excesses seem to have been tempered in his two newest books, Fischer: MBM and Tal: MBM. The bad news is that they haven’t been tempered enough.

Fischer: MBM consists of fifty six games, and like most of Lakdawala’s other biographical titles, it is structured thematically.[1] The fifty-three games in Tal: MBM are ordered chronologically, making it unique in Lakdawala’s oeuvre. So what is it about Tal that prompts Lakdawala to abandon his standard book format?

Part of what drives the shift is Lakdawala’s almost cartoonish caricature of Tal. His Tal is a tactical wizard, a “con-artist” with an “aversion to swaps of any kind,” an alchemist whose guiding principle in chess was “[w]hat would Satan do?” (153-4) and whose sacrifices were rarely sound. (246) If Tal was indeed this one-dimensional, it wouldn’t make sense to waste time on endgames or defensive motifs.

The problem is that more recent and sober studies expose the fallacies of this interpretation. Tukmakov, for instance, shows in Risk and Bluff in Chess that Tal’s sacrifices were often correct, even by modern standards. And Karolyi – who is cited in Lakdawala’s bibliography – takes care to point out Tal’s “skill in quieter positions and endgames” (8) in his Mikhail Tal’s Best Games, Volume 1.

People of good faith can disagree about a writer’s style. The real problem with both Fischer: MBM and Tal: MBM is a lack of rigor and serious research. Bibliographies for both books are slight, and Lakdawala’s failure to engage other analysts and biographers undermines his own work.

Example #1: in analyzing the 19th (not the 18th, as appears in Fischer: MBM) game of the 1972 World Championship, Lakdawala has this note after 24.exd5: “White’s only chance for the win lay in 24.Rc7! Nxd4,” and he gives a line of Houdini-inspired analysis to justify his claim. (Fischer, 203) But as early as 1972 Olafsson and Timman both correctly saw that 24…dxe4! holds the balance. This move is also found in Kasparov’s My Great Predecessors IV, a book that appears in Lakdawala’s bibliography.

Example #2: Consider Tal-Smyslov, Candidates 1959, round 8. After 1. e4 c6 2. d3 d5 3. Nd2 e5 4. Ngf3 Nd7 5. d4 dxe4 6. Nxe4 exd4 7. Qxd4 Ngf6 8.Bg5 Be7, why did Tal avoid the superior 9.Nd6+ in favor of 9. O-O-O? For Lakdawala, this is evidence of Tal’s emotional irrationalism (Tal, 148-9) – he was ‘bored’ by endgames so he avoided them! Kasparov and Karolyi have a simpler explanation: Tal thought that Smyslov would be more comfortable in a worse endgame than an unclear middlegame.

Example #3: Lakdawala laments the fact that he could not present a student’s lost simul game with Tal. (Tal, 123) I remember seeing this game – Tal-Miller, Los Angeles, 1988 – years ago, and it’s as good as advertised. It’s also in MegaBase, and it has been since 2012. (A quick Google would have turned it up too.)

What’s maddening about Lakdawala is that he can, when he chooses, produce excellent work. There is less nonsense in Fischer: MGM and Tal: MBM than in previous efforts, and there is more clear explanation of ideas. But there are no new insights in either book; instead, we get questionable psychologizing and a lot of stream-of-consciousness fluff. If you like Lakdawala’s other books, you’ll like these; if not, you won’t. Caveat emptor.


[1] That seven books on widely disparate players have a more-or-less identical structure – sections on attack, defense, dynamism, imbalances, accumulating advantages and the endgame – is disconcerting. Surely books on, say, Kramnik and Kortchnoi should not be identically structured .