Tag Archives: Zenon Franco

Everyman Roundup

This review has been printed in the October 2016 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here. My thanks to the good folks at Chess Life for allowing me to do so.


Collins, Sam. Karpov: Move by Move. London: Everyman Chess, 2015. ISBN 978-1781942291. PB 288pp. List $27.95.

Engqvist, Thomas. Stein: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942697. PB 496pp. List $34.95.

Franco, Zenón. Rubinstein: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943144. PB 400pp. List $29.95.

Franco, Zenón. Spassky: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942666. PB 464pp. List $29.95.

Giddens, Steve. Alekhine: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943175. PB 304pp. List $27.95.

Lakdawala, Cyrus. Fischer: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942727. PB 400pp. List $29.95.

Lakdawala, Cyrus. Tal: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781943236. PB 400pp. List $29.95

Pritchett, Craig. Steinitz: Move by Move. London: Everyman Chess, 2016. ISBN 978-1781942543. PB 288pp. List $27.95.

Some years ago I gave a talk at a university in New York about how we might use the technology of chess to better understand the nature of technology. I argued that modern chess players were, for all intents and purposes, cyborgs, and I meant this fairly literally. The dividing line between man and machine is blurred in contemporary chess, with top young players internalizing the lessons taught by Komodo and Stockfish so deeply that they begin to play like computers themselves.

The rise of the machines has wrought many changes in our beloved game, and none so lamentable as the slackening of historical memory among its players. There are many GMs today who proudly gained their titles without studying the classics of chess literature. And it kind of makes sense: if chess today has mutated, becoming intensely concrete and pragmatic, why study Alekhine’s games when (a) they no longer resemble modern practice and (b) the computer tears apart his analysis?

As a chess teacher and a fan of chess history, this gives me the sads. The majority of chess players would benefit greatly from a grounding in the classics; as John Watson puts it, “classic games by the old masters make particularly good teaching material, because the strategic ideas in them are relatively simpler to understand and more clearly expressed than in modern games.” Such study can also be pleasurable, something I find difficult with modern and inscrutable super-GM contests.

This month I take a look at eight recent biographies / individual game collections from Everyman, one of the most prolific publishers of such books today. All eight appear in their Move by Move (hereafter, MBM) series. Most current Everyman books are presented in this way, using a question and answer format to mimic a private lesson and functioning as a kind of Greek chorus for the proceedings.

Let’s begin with Steinitz: MBM, written by Craig Pritchett. It consists of thirty-five well-annotated games ordered chronologically and with historical context. Pritchett views his book as a “traditional games collection and biography” (8) and it succeeds in this, giving readers a solid overview of Steinitz’s career and contributions to the game. There is a heavy emphasis on the 1886 match with Zukertort, and Pritchett does a nice job of sketching the basics of Steinitz’s revolutionary positional theories. (174-6)

Steve Giddens’ Alekhine: MBM is, in contrast, almost wholly a games collection. Giddens analyzes thirty-five of Alekhine’s games and includes twenty positions from Alekhine’s play for the reader to solve. He tends to use more words and less concrete analysis in explaining Alekhine’s moves, making this book excellent for the lower-rated player. I did find it curious that Giddens relied on a seven year old engine (Fritz 12) to check his lines, and I also would have appreciated some biographical content – there is almost none in the book.

Stein: MBM is the largest book on review here at 496 pages, and this is made all the more impressive by the fact that it uses a smaller font than the others! Thomas Engqvist does an impressive job of contextualizing each of the sixty thoroughly annotated games in Stein: MBM, explaining who the opponents were and incorporating extensive research into the notes. He carefully traces Stein’s progression from “new Tal” to complete player, attributing some of the shift to Petrosian’s influence. All of this makes for a wonderful book, and it should become the standard work on Stein’s life and games.

Sam Collins’ Karpov: MBM is, by the author’s own admission, neither a biography nor a collection of Karpov’s best games. Collins chose to “select a number of aspects of Karpov’s play which could be helpful to club players.” (7) He uses Karpov’s games to illustrate typical middlegame themes – prophylaxis, the IQP, etc. – and supplements this with sketches of his opening play and a selection of games from his famous Linares 1994 tournament victory. This is a novel approach, but unless you’re particularly interested in Karpov’s games under these exact parameters, I think this is a title you can safely skip.

This leaves us with two books each by two of Everyman’s most prolific Move by Move authors, Zenón Franco and Cyrus Lakdawala. Attentive readers will recall that I have already reviewed books by Franco (Anand: MBM) and Lakdawala (Carlsen: MBM) in the February 2015 issue, and that I was decidedly less impressed with Lakdawala than I was with Franco. That opinion has not changed, and in the remainder of this month’s column, I’ll explain why.

Franco’s books – Rubinstein: MBM and Spassky: MBM – are both thematically structured works that focus on the player’s games and not on their biographies. Both books are scrupulously sourced and work to expose the reader to the specific strengths of the player in question.

With Rubinstein, for example, Franco analyzes thirty-four games that center on Rubinstein’s positional play (§1) and endgames, with special emphasis on his rook endings (§3,4). The forty games in Spassky: MBM revolve around Spassky’s handling of the initiative and his special expertise in favored opening systems. Both titles begin with studies of each player’s style, both are well-researched, and the analysis in each is absolutely top-shelf. Indeed, Franco often improves on the published analysis of others, and particularly in the Rubinstein book.

Having reviewed three of Lakdawala’s books, I have hesitated to review more for fear of being seen as too harsh. My views on Lakdawala’s style are well known by now, something Lakdawala might be pointing out in Fischer: MBM when he decries “the misguided readers who hate my writing style and punish my books with a hateful review.” (49)

There are some who absolutely adore Lakdawala’s color, wit, and total lack of restraint. There are others – count me among them – who find it all just too cute by half. The good news is that some of the worst of Lakdawala’s excesses seem to have been tempered in his two newest books, Fischer: MBM and Tal: MBM. The bad news is that they haven’t been tempered enough.

Fischer: MBM consists of fifty six games, and like most of Lakdawala’s other biographical titles, it is structured thematically.[1] The fifty-three games in Tal: MBM are ordered chronologically, making it unique in Lakdawala’s oeuvre. So what is it about Tal that prompts Lakdawala to abandon his standard book format?

Part of what drives the shift is Lakdawala’s almost cartoonish caricature of Tal. His Tal is a tactical wizard, a “con-artist” with an “aversion to swaps of any kind,” an alchemist whose guiding principle in chess was “[w]hat would Satan do?” (153-4) and whose sacrifices were rarely sound. (246) If Tal was indeed this one-dimensional, it wouldn’t make sense to waste time on endgames or defensive motifs.

The problem is that more recent and sober studies expose the fallacies of this interpretation. Tukmakov, for instance, shows in Risk and Bluff in Chess that Tal’s sacrifices were often correct, even by modern standards. And Karolyi – who is cited in Lakdawala’s bibliography – takes care to point out Tal’s “skill in quieter positions and endgames” (8) in his Mikhail Tal’s Best Games, Volume 1.

People of good faith can disagree about a writer’s style. The real problem with both Fischer: MBM and Tal: MBM is a lack of rigor and serious research. Bibliographies for both books are slight, and Lakdawala’s failure to engage other analysts and biographers undermines his own work.

Example #1: in analyzing the 19th (not the 18th, as appears in Fischer: MBM) game of the 1972 World Championship, Lakdawala has this note after 24.exd5: “White’s only chance for the win lay in 24.Rc7! Nxd4,” and he gives a line of Houdini-inspired analysis to justify his claim. (Fischer, 203) But as early as 1972 Olafsson and Timman both correctly saw that 24…dxe4! holds the balance. This move is also found in Kasparov’s My Great Predecessors IV, a book that appears in Lakdawala’s bibliography.

Example #2: Consider Tal-Smyslov, Candidates 1959, round 8. After 1. e4 c6 2. d3 d5 3. Nd2 e5 4. Ngf3 Nd7 5. d4 dxe4 6. Nxe4 exd4 7. Qxd4 Ngf6 8.Bg5 Be7, why did Tal avoid the superior 9.Nd6+ in favor of 9. O-O-O? For Lakdawala, this is evidence of Tal’s emotional irrationalism (Tal, 148-9) – he was ‘bored’ by endgames so he avoided them! Kasparov and Karolyi have a simpler explanation: Tal thought that Smyslov would be more comfortable in a worse endgame than an unclear middlegame.

Example #3: Lakdawala laments the fact that he could not present a student’s lost simul game with Tal. (Tal, 123) I remember seeing this game – Tal-Miller, Los Angeles, 1988 – years ago, and it’s as good as advertised. It’s also in MegaBase, and it has been since 2012. (A quick Google would have turned it up too.)

What’s maddening about Lakdawala is that he can, when he chooses, produce excellent work. There is less nonsense in Fischer: MGM and Tal: MBM than in previous efforts, and there is more clear explanation of ideas. But there are no new insights in either book; instead, we get questionable psychologizing and a lot of stream-of-consciousness fluff. If you like Lakdawala’s other books, you’ll like these; if not, you won’t. Caveat emptor.

[1] That seven books on widely disparate players have a more-or-less identical structure – sections on attack, defense, dynamism, imbalances, accumulating advantages and the endgame – is disconcerting. Surely books on, say, Kramnik and Kortchnoi should not be identically structured .

Rematch by Proxy

This review has been printed in the February 2015 issue of Chess Life.  A penultimate (and unedited) version of the review is reproduced here.  My thanks to the good folks at Chess Life for allowing me to do so.


Franco, Zenón. Anand: Move by Move. London: Everyman, 2014. PB 376pp. ISBN 978-1781941867. List $29.95; currently $23ish at Amazon.

Lakdawala, Cyrus. Carlsen: Move by Move. London: Everyman, 2014. PB 432pp. ISBN 978-1781942079. List $29.95; currently $25ish at Amazon.

You’ve got to hand it to the guys at Everyman Chess. They know an opportunity when they see one.

With the 2014 World Championship fast approaching, and with no titles on the combatants in their catalogue, Everyman asked two authors – one of their most prolific, and one of their newest – to remedy this most unfortunate situation.[1] The books under review this month, out just in time for the match, are the fruit of those labors. Both should also be available in e-book format by the time this review goes to press.

For Carlsen: Move by Move, Everyman turned to its most indefatigable author. International Master Cyrus Lakdawala has penned 21 titles (including forthcoming books) with Everyman since 2010, six of which are focused on a specific player. Carlsen: Move by Move is structured like most of Lakdawala’s biographical works for Everyman, with 54 annotated games divided into six thematic chapters.

I have reviewed two of Lakdawala’s books – Capablanca: Move by Move on my blog, and Botvinnik: Move by Move in the May 2014 issue of Chess Life – in the past. In those reviews I noted a troubling trend, one that continues unabated in Carlsen: Move by Move. With each new book he seems to cram more and more cutesy, cloying commentary into his analysis, and his work is beginning to suffer from it. For instance:

  • “[t]he black queen emits an odd, adenoidal grunting sound in response to her sister’s intrusion.” (259)
  • “[t]he rook staggers from the sudden unveiling of the truth. He sneaks out, the way a chastised third grader creeps out from the principal’s office.” (262)
  • “Annoying white pieces stick to Black’s hanging knight like discarded gum on a shoe. … [t]he g-pawn’s attempts to intimidate remind us of a Chihuahua, mimicking the Pitbull’s fury…” (ibid.)

This personification of pieces is relentless and tiresome. What’s worse, some of Lakdawala’s ‘metaphors’ seem confused or nonsensical. In Carlsen-Caruana (Biel, 2011) – game #32 in the book, from which all the above is taken – we encounter a typical example of this shtick gone awry.


Carlsen has just played 25.f4?!. Caruana might have responded 25…Ne3!, of which Lakdawala writes: “the knight inserts his head into the lion’s mouth, hoping he has been well fed.” If the hungry rook takes the bishop with 26.Rxe3 (White’s only move), Black has 26…Bxf4 with compensation. Caruana blundered in the game with 25…Re6??, allowing White to trap the knight by placing “calming hands” (???) on the rook and bishop with 26.Bd5.

Lakdawala’s analysis is decent enough, although he, like many authors, seems to lean on engines a bit too much. He can clearly break down the essentials of a position when he so chooses. But what is valuable in Carlsen: Move by Move gets lost amidst the avalanche of bad jokes and vapid prose.

Zenón Franco has done a much better job with Anand: Move by Move. The Paraguayan Grandmaster, having already published on Anand (Viswanathan Anand – Quíntuple Campeón del Mundo, 2013), has written a relatively straightforward biographical work. Anand: Move by Move begins with a twenty-five page assessment of Anand’s style. Franco lauds Anand’s flexibility, noting his ability to change his playing style to defeat Kramnik (236) and Topalov (264) in World Championship matches. He goes so far as to compare Anand’s universality with that of Fischer (11) – no small compliment!

The bulk of the book is 32 annotated games from 1991-2014, representing a decent cross-section of Anand’s career. Franco takes pains to situate each game both in terms of its tournament situation and its broader place in Anand’s oeuvre.

The inclusion of a strong biographical narrative in Anand: Move by Move is most welcome. Unlike Lakdawala, who actually points to an unsourced Wikipedia quote to prove a point (Carlsen, 9), Franco references multiple sources in his text, citing Anand’s own words whenever possible. The analysis is comprehensive without being overwhelming, and Houdini’s presence is not onerous.

Were this a competition between the two titles, a rematch by proxy, Anand would certainly have his revenge here. Poor Carlsen will just have to console himself with his champion’s crown.

[1] That the books are aimed at those interested in the match is obvious: see Carlsen: Move by Move, 9, and Anand: Move by Move, 368.